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The novel is a penetrating study of morals and ethics.

Bille AugustDirector · Danish · b. 1948
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  • From the beginning, we were prepared, we know how we would shoot and cut the two versions. — Bille August
  • He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film. — Bille August
  • I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time. — Bille August
  • She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film. — Bille August
  • I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don't watch television myself. I'm into movies. — Bille August
  • It was a major dream come true at last. In many respects, Jerusalem is a very modern and important story about people in a period of transition, with all the unrest that permeates society on the eve of a new century. The big life issues are at stake. — Bille August
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